Most of the time my artistic practice is made of installations and sculptures. But my ideas or projects are made in the way that is necessary to be done. I consider myself then as an artist without any special practice.
Relation to my environment is essential in my artistic work. Often connected to the context of the exhibition or of the actuality, my work, inspired by social and architectural events indicates paradoxes and frictions in the relation between human, nature and culture. Also, it asks questions to the public in a “humour noir” way, questions about conventional or common opinion.






